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LONDON - The average Vangelis concert resembles nothing so much as an artistic /
thematic confrontation between Handel's Messiah and Dimitrius and the Gladiators,
staged on one of Rick Wakeman's backlots. A self-taught keyboard wizard, the bearded
Greek musician (his full name is Vangelis Odyssey Papathanassiou) recently gave his
debut English concert at the Royal Albert Hall, where he played selections from Heaven
and Hell (his new RCA Ip). The hardware and supporting cast assembled for the sold-out
affair would have made Cecil B. DeMille blush.
The complement of 150 participants included the English Chamber Choir, 60 female
timpanists from Queens College, London, a contingent of "African" drummers, and enough
assorted instruments to fill the Topographic Oceans. After playing an impromptu piece
on the RAH's towering pipe organ, one of the world's largest (he later called it "a
toy"), the former leader of Aphrodite's Child hunkered down amid 21 keyboards and
proceeded to go ga-ga. He was assisted in the immediate area by a frenetic rock
drummer and David Bedford on grand piano, who last year arranged and conducted the
RAH's performance of Michael Oldtield's Tubular Beds.
The choir, timpanists and Afro percussionists were positioned on a series of tiers
behind Vangelis; the Africans, half-naked in red knickers and animal skins, were held in
relative check by Abdul Amao, formerly of Osibisa, while the choir and the college girls,
attired in either red or white tunics, played and sang thunderously under the baton
of Guy Protheroe. To help out the angelic timpanists, who included Clement Freud's
daughter Emma and a young lady who is the great, great, great grand-daughter of Queen
Victoria, the choir pounded large red staffs floorward on the beat.
To top it off, additional wordless vocals were supplied by the sylphidine Vana
Veroutis, a gifted young vocalist in the Letty De Jong vein, while a troupe of 20
female dancers leapt about.
Sometimes the music sounded like heaven, and sometimes it sounded like hell.
Reviews in the London press the following day ranged from "exhilarating" and
"spectacular" to "vulgar," but the enthusiastic audience - which included
actress Lee Remick, responded with a standing ovation.
Two days after the concert, officials from RCA's New York and London offices
assembled in Vangelis' palatial Kensington apartment to chat informally with
their costly property. The dialogue proved to be as offbeat as the concert,
and offered some insight into the grooming processes pre-Big Time acts undergo.
During the discussions, the jolly Vangelis tinkered skillfully
on his grand piano and showed himself to be, at the very least, his own man.
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Joe DiSabato, an RCA product manager, at one point warned the Greek musician
that if his Ip is added to FM playlists in the U.S., the most
frequently-played track could be "So Long Ago So Clear," on which Yes vocalist Jon
Anderson appears. (Anderson once asked Vangelis to join Yes, but the keyboardist
declined.)
"But that would be wrong!" said Vangelis. "That isn't really
my sound and that would be a misunderstanding."
"Unfortunately, it's a big possibility," said DiSabato. "Before I saw you
live, I wasn't sure whether to sell you as a classical performer or a
classical-rock performer. Now I think you'll appeal to both, but
your initial audience will probably be a teen-aged one that listens to Yes,
Rick Wakeman, Emerson, Lake & Palmer..."
"You know," smiled Vangelis, "I don't think I am any of those things. I like
classical music and rock, but I don't look for associations or values in my
music. I look for two hours of healthy, natural energy and fun, because I
want to reach people physically and emotionally - not intellectually. I don't
want people to have to read HitParader and see I am a 'new type of Yes
music' before they decide they like me!
"Record companies are always trying to find something new," he continued.
"And in America, people seemed obsessed with 'new' things. Maybe it is
because the United States is a new country with a new music called rock
and roll, but really it is all very ancient."
"Is there rock and roll in Greece?" someone asked.
"Of course there is!" said Vangelis with a chuckle. "The
United States is everywhere these days!"
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This keyboard wizard is no yes man
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